MARMOR & STEIN

DEMO > 2009

October 2009

These are some excerpts from the new Marmor&Stein album material recorded using non-professional audio equipment in different homes around the Globe between February and August 2009. There are couple of more dangling around on MySpace (Myspace is dead, isn’t it?)

1. Schwarz&Weiss /Demo/

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2. Jungfrau /Demo/

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………………………

Actually all songs (12) are tracked now in stellar quality somewhere within the labirynth of glorious Bayrischer Rundfunk (Oh, Boy! Those Lawo desks) with kind support by Axel Fischer-Neuschwander and are awaiting the final mixdown. Well, “don’t know where, don’t know when”…

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Janglin’

August 2010

Danelectro-63c

Unlike a traditional guitar pickup that uses a plastic or fiber bobbin as a form for winding its coil, the lipstick-tube pickup has its coil wrapped around an alnico bar magnet, and then wrapped in tape, usually a cellophane-type tape on vintage units, before being inserted into the metal tube casing. The original lipstick-tube pickups were, in fact, manufactured using surplus lipstick tubes, and were featured on Danelectro, Danelectro’s Coral series, and guitars that were later marketed through Sears, Roebuck and Company department stores under the name Silvertone. Most vintage Danelectro guitars had their pickups mounted using spring-loaded brackets underneath the tube casing, which could be adjusted for height by means of screws located on the back of the guitar body. Vintage Danelectro lipstick-tube pickups are quite wide, at 3.22 in (8.18 cm) overall. They CANNOT be retrofitted into a Stratocaster or similar guitar without removing plastic from the pickguard or wood from the guitar body. The Fender Telecaster’s neck-position pickup, despite its appearance, is NOT a lipstick-tube pickup. It is a traditional single-coil pickup under a chrome-plated cover.

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Lo-Fi

August 2010

Kab

Kab1

Kab2

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Percolator (update)

August 2010

Travis_TBS

To avoid misunderstandings, Mr. Albini rarely uses Harmonic Percolator and it is NOT responsible for his clanky guitar sound. What actually seems to be a major donation to it is Travis Bean TB500, sort of bizzare aluminum neck guitar manufactured by Travis Bean Guitars in Sun Valley, California from 1974 to 1979. The Travis Bean factory developed four guitar models (TB1000S, TB1000A, TB3000 and TB500) all produced in limited quantities. TB500 was to be the “budget” model (compared to the ”uptown” model 1000S) equipped with single coil pick-ups and a “strat” type body. These guitars are often, ironically, the Holy Grail of Travis Bean guitars, mainly because they have a very aggressive bite to their tone. Travis Bean guitars are equally sought after by vintage guitar collectors as well as musicians looking for the specific “Bean” sound. Due to the limited number of guitars produced ( just 351 of TB500 for example) the cost of the instruments are slowly on the rise and are generally hard to come by. The good news for all price conscious collectors, Shellac admirers and simply leftfield vintage gear jerks is that nearly entire Travis Bean product line is now reissued by travisbean.de (custom guitar company strangely enough located in Bogen, Lower Bavaria in Germany) and, despite pretty ridiculous price tag (3503,00USD* without VAT incl. Shipping, *+ US Import Tax) and the fact that aluminum necks are only available for the custom shop models for even extra charge, they are claimed to be a real deal. There are some pictures and specs of  the “new” Travis Bean TBC Custom (a Bavarian take on a TB1000A classic) below.

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Percolator

August 2010

HP-1

The Harmonic Percolator is a distortion pedal that was created by Ed Giese of Interfax Electronics in Milwaukee, Wisconsin in the 1970’s. It used a silicon NPN transistor and a germanium PNP transistor in a design that passes even order harmonics while suppressing odd order harmonics. These even order harmonics are more pleasing to the ear than odd order harmonics. At low settings the Harmonic Percolator will give added sustain without ‘coloring’ the sound. Higher settings will give a mean distortion that performs well with multiple notes. Legendary guitar-abuser Steve Albini (Big Black, Rapeman, Shellac) uses a Harmonic Percolator for some of those Guitar noises he gives birth to…

Interfax HP-1

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Salzburg with Cyrill Protsenko

August 2010

Salz1 [more →]

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Fenton Weill

July 2010

Fenton-Weill

The grandaddy of all British pickups – with its roots going right back to the begining of UK solid body guitar production. Not only used on the pioneering early Weill instruments but also supplied to most of the major UK manufacturers of the late 50s and early 60s. Used either individually, or multiple units wired up in series – these pickups love pushing tube amps into smooth, compressed, saturated overdrive – full of Cello, Violin style warmth.

1. Clean

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2. Pushing Mullards

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die Akzession

June 2010

Longhorn

Back in ‘58 Danelectro invented the Longhorn… triggering a stampede of sorts, as artists rushed to record with this funky new guitar. Hundreds of 60’s era records feature it signature sound. Think Link Wray and you’ve got the idea…

In 2006, Danelectro again turned its attention to one of its maddest guitar designs ever. And now there’s a bass, a baritone and this guitar, one of the company’s trailblazing designs which in fact was the brainchild of Duane Eddy back then.

Body construction is identical to the updated Dano Pro, with a laminate frame capped with Masonite (hardboard) top and back. Although the addition of a five-way pickup selector might hint at a certain Stratocaster-ish character, the combination of a shorter scale length and series ‘in-between’ positions makes for a different animal indeed. The addition of the middle Lipstick single-coil gives access to one of the most pleasing sounds in the Danelectro catalogue. Recalling the sound of a single pickup double-cutaway Dano as wielded by a certain Mr Page, the middle position on the five-way blade selector is a percussive, bright-yet-full voice which works very well indeed for rhythm guitar across a broad range of musical genres (with the possible exception of death metal).

Danelectro Longhorn

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In 2006, Danelectro again turned its attention to one of its maddest guitar designs ever. And now there’s a bass, a baritone and this guitar, one of the company’s trailblazing designs which in fact was the brainchild of Duane Eddy back then.
Body construction is identical to the updated Dano Pro, with a laminate frame capped with Masonite (hardboard) top and back. In terms of balance, it’s a little neck heavy, but in all honesty a Danelectro Longhorn is never going to excel in this area; a unique guitar such as this will inevitably require some concessions in practical terms… Although the addition of a five-way pickup selector might hint at a certain Stratocaster-ish character, the combination of a shorter scale length and series ‘in-between’ positions makes for a different animal indeed. The addition of the middle Lipstick single-coil gives access to one of the most pleasing sounds in the Danelectro catalogue. Recalling the sound of a single pickup double-cutaway Dano as wielded by a certain Mr Page, the middle position on the five-way blade selector is a percussive, bright-yet-full voice which works very well indeed for rhythm guitar across a broad range of musical genres (with the possible exception of death metal).
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Charade

June 2010

Kr-BW3

Kr-BW2

Guess What?

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Piano & Strings Again

May 2010

Piano10a

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Piano & Strings

May 2010

Piano1

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